Competition News
Jeonghwan Kim wins the 2026 Isang Yun International Music Competition
The German pianist took first prize and the audience-voted special prize at this year's piano edition of the Tongyeong competition.
Competition deadlines
- Aarhus International Piano CompetitionAarhus, Denmark
- Eisemann International Young Artist Competition (Piano)Richardson, TX, USA
- Cliburn International Competition for Young PianistsDallas, TX, USA
- Maria Canals International Music Competition (Piano)Barcelona, Spain
News
- NewsJean-Yves Thibaudet wins the 2026 Avery Fisher Prize
- Competition NewsMizuki Ono wins the 2026 International Piano Competition of Orléans
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
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Expert Advice
All adviceIgor Lipinski on creative recitals, and why you never play the same chord the same wayJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkJarred Dunn on fast octaves, and why the piano can open your hand for youSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodySean Chen on why your ears, not your feet, play the pedalAlvin Zhu on why you should learn a new piece before you play a noteBenjamin Steinhardt on why your fourth finger isn’t really weakLubov Laura De Valois on why legato can wait, and why you need talented parentsMichael Lewin on why the audition panel wants to like youYoheved Kaplinsky on why excitement isn’t about volumeAntonio Pompa-Baldi on why no one should hear the hammersSondra Tammam on the Taubman approach and why you can’t fight natureAndrew Tyson on the old-school pianists, and why the score is only a starting pointJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstLisa Yui on the future of pianists, and why a melody can’t sing over a ten-piece bandKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicAlex McDonald on avoiding injury, and why playing loud teaches you to play softLo-An Lin on teaching piano online, and why some beginners should waitLeann Osterkamp on why practicing hands separately turns one piece into threeAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveRoss Salvosa on why you shouldn’t need endurance at the pianoLindsay Garritson on competitions, and why one piece can count against youNicolas Namoradze on why pianists turn their ears offMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brain
