News
Stephen Kovacevich, American pianist, dies at 86
The California-born pianist, who studied with Dame Myra Hess in London, made his debut at 11 and his Wigmore Hall recital debut in 1961.
News
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
- Competition NewsTaige Wang wins the 2026 Tbilisi International Piano Competition
Advertise here
Piano League PlayNew
Today's Sight-Read Sprint
Piano games and quizzes for every age.
Play now
Piano League StudioRun your studio in one placeLessons, invoices and payments. Free for up to 5 students.October invoicesSentLesson remindersOnTry StudioFindFind a piano teacher near youTeachers, studios, tuners and movers.Search by city or zip
Stories of Pianists
All storiesCollege Freshman Finds Redemption at Piano CompetitionPlaying Again After 12 YearsWorking Chinese Girl Picks Up Piano After Seven YearsHarper, 5 Years Old, Sings and Plays PianoJuilliard Pianist Always Gets Asked This One QuestionPianist from Georgia says starting piano at an older age has its advantagesStuttering Girl Finds Strength in MusicDealing with Pain: A Psychologist’s Piano Journey6 Year-Old Sings and Plays “Let it Go” from Frozen
Expert Advice
All adviceSean Chen on why your ears, not your feet, play the pedalLeann Osterkamp on why practicing hands separately turns one piece into threeIgor Lipinski on creative recitals, and why you never play the same chord the same wayNicolas Namoradze on why pianists turn their ears offRobert McDonald on playing on the front side of the beatBenjamin Steinhardt on why your fourth finger isn’t really weakLo-An Lin on teaching piano online, and why some beginners should waitAntonio Pompa-Baldi on why no one should hear the hammersSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyRachel Naomi Kudo on why your scales should singAndrew Tyson on the old-school pianists, and why the score is only a starting pointSoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainMichael Lewin on why the audition panel wants to like youEnrico Elisi on why your fingers shouldn’t outrun your footEric Lu on playing the pieces everyone playsKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicAlvin Zhu on why you should learn a new piece before you play a noteAlan Chow on why rubato isn’t the only way to be expressiveSondra Tammam on the Taubman approach and why you can’t fight natureJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkYoheved Kaplinsky on why excitement isn’t about volume
