News
Jean-Yves Thibaudet wins the 2026 Avery Fisher Prize
The French pianist receives the $100,000 American prize while in New York to play Liszt with the New York Philharmonic.
Competition deadlines
- Aarhus International Piano CompetitionAarhus, Denmark
- Eisemann International Young Artist Competition (Piano)Richardson, TX, USA
- Cliburn International Competition for Young PianistsDallas, TX, USA
- Maria Canals International Music Competition (Piano)Barcelona, Spain
News
- Competition NewsMizuki Ono wins the 2026 International Piano Competition of Orléans
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
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Expert Advice
All adviceAntonio Pompa-Baldi on why no one should hear the hammersAndrew Tyson on the old-school pianists, and why the score is only a starting pointJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicIgor Lipinski on creative recitals, and why you never play the same chord the same wayRoss Salvosa on why you shouldn’t need endurance at the pianoEric Lu on playing the pieces everyone playsRobert McDonald on playing on the front side of the beatAlex McDonald on avoiding injury, and why playing loud teaches you to play softLubov Laura De Valois on why legato can wait, and why you need talented parentsBenjamin Steinhardt on why your fourth finger isn’t really weakAlvin Zhu on why you should learn a new piece before you play a noteYoheved Kaplinsky on why excitement isn’t about volumeNicolas Namoradze on why pianists turn their ears offJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstLo-An Lin on teaching piano online, and why some beginners should waitMichael Lewin on why the audition panel wants to like youAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainSondra Tammam on the Taubman approach and why you can’t fight natureLeann Osterkamp on why practicing hands separately turns one piece into threeSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodySean Chen on why your ears, not your feet, play the pedalJarred Dunn on fast octaves, and why the piano can open your hand for you