Competition News
Pianist Taige Wang, 16, among winners of the 2026 Young Concert Artists auditions
The 16-year-old American pianist joins the Young Concert Artists roster, and Chinese pianist Jack Gao receives a Laureate Prize.
Competition deadlines
- Aarhus International Piano CompetitionAarhus, Denmark
- Eisemann International Young Artist Competition (Piano)Richardson, TX, USA
- Cliburn International Competition for Young PianistsDallas, TX, USA
- Maria Canals International Music Competition (Piano)Barcelona, Spain
News
- Competition NewsJeonghwan Kim wins the 2026 Isang Yun International Music Competition
- NewsJean-Yves Thibaudet wins the 2026 Avery Fisher Prize
- Competition NewsMizuki Ono wins the 2026 International Piano Competition of Orléans
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
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Stories of Pianists
All storiesHarper, 5 Years Old, Sings and Plays PianoPianist from Georgia says starting piano at an older age has its advantagesDealing with Pain: A Psychologist’s Piano JourneyStuttering Girl Finds Strength in MusicPlaying Again After 12 YearsWorking Chinese Girl Picks Up Piano After Seven Years6 Year-Old Sings and Plays “Let it Go” from FrozenCollege Freshman Finds Redemption at Piano CompetitionJuilliard Pianist Always Gets Asked This One Question
Expert Advice
All adviceLubov Laura De Valois on why legato can wait, and why you need talented parentsAlex McDonald on avoiding injury, and why playing loud teaches you to play softAndrew Tyson on the old-school pianists, and why the score is only a starting pointAlvin Zhu on why you should learn a new piece before you play a noteSean Chen on why your ears, not your feet, play the pedalSondra Tammam on the Taubman approach and why you can’t fight natureLo-An Lin on teaching piano online, and why some beginners should waitJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyChantal Balestri on last-minute performances, and why the first student to say yes gets the concertAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveNicolas Namoradze on why pianists turn their ears offLisa Yui on the future of pianists, and why a melody can’t sing over a ten-piece bandIgor Lipinski on creative recitals, and why you never play the same chord the same wayScott McBride Smith on why students quit piano while they still like itJarred Dunn on fast octaves, and why the piano can open your hand for youMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainBenjamin Steinhardt on why your fourth finger isn’t really weakLeann Osterkamp on why practicing hands separately turns one piece into threeAntonio Pompa-Baldi on why no one should hear the hammersLindsay Garritson on competitions, and why one piece can count against youRoss Salvosa on why you shouldn’t need endurance at the pianoKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicJiayan Sun on score reading, and why a quarter note isn’t as long as you think
