Competition News
Mizuki Ono wins the 2026 International Piano Competition of Orléans
The Japanese pianist took first prize at the 17th edition of the French competition, ahead of Carter Muller and Shan-Chi Hsu.
News
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
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Stories of Pianists
All stories6 Year-Old Sings and Plays “Let it Go” from FrozenStuttering Girl Finds Strength in MusicWorking Chinese Girl Picks Up Piano After Seven YearsJuilliard Pianist Always Gets Asked This One QuestionPlaying Again After 12 YearsCollege Freshman Finds Redemption at Piano CompetitionDealing with Pain: A Psychologist’s Piano JourneyHarper, 5 Years Old, Sings and Plays PianoPianist from Georgia says starting piano at an older age has its advantages
Expert Advice
All adviceJarred Dunn on fast octaves, and why the piano can open your hand for youEric Lu on playing the pieces everyone playsYoheved Kaplinsky on why excitement isn’t about volumeAlvin Zhu on why you should learn a new piece before you play a noteAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveAntonio Pompa-Baldi on why no one should hear the hammersNicolas Namoradze on why pianists turn their ears offBenjamin Steinhardt on why your fourth finger isn’t really weakLeann Osterkamp on why practicing hands separately turns one piece into threeJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkAndrew Tyson on the old-school pianists, and why the score is only a starting pointSean Chen on why your ears, not your feet, play the pedalLubov Laura De Valois on why legato can wait, and why you need talented parentsIgor Lipinski on creative recitals, and why you never play the same chord the same wayMichael Lewin on why the audition panel wants to like youRobert McDonald on playing on the front side of the beatLo-An Lin on teaching piano online, and why some beginners should waitRoss Salvosa on why you shouldn’t need endurance at the pianoJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyRachel Naomi Kudo on why your scales should singSondra Tammam on the Taubman approach and why you can’t fight nature
