Competition News
Jeonghwan Kim wins the 2026 Isang Yun International Music Competition
The German pianist took first prize and the audience-voted special prize at this year's piano edition of the Tongyeong competition.
Competition deadlines
- Aarhus International Piano CompetitionAarhus, Denmark
- Eisemann International Young Artist Competition (Piano)Richardson, TX, USA
- Cliburn International Competition for Young PianistsDallas, TX, USA
- Maria Canals International Music Competition (Piano)Barcelona, Spain
News
- NewsJean-Yves Thibaudet wins the 2026 Avery Fisher Prize
- Competition NewsMizuki Ono wins the 2026 International Piano Competition of Orléans
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
Advertise here
Piano League PlayNew
Today's Sight-Read Sprint
Piano games and quizzes for every age.
Play now
Piano League StudioRun your studio in one placeLessons, invoices and payments. Free for up to 5 students.November invoicesSentLesson remindersOnTry StudioFindFind a piano teacher near youTeachers, studios, tuners and movers.Search by city or zip
Stories of Pianists
All storiesStuttering Girl Finds Strength in MusicPlaying Again After 12 YearsPianist from Georgia says starting piano at an older age has its advantagesWorking Chinese Girl Picks Up Piano After Seven YearsHarper, 5 Years Old, Sings and Plays PianoCollege Freshman Finds Redemption at Piano Competition6 Year-Old Sings and Plays “Let it Go” from FrozenDealing with Pain: A Psychologist’s Piano JourneyJuilliard Pianist Always Gets Asked This One Question
Expert Advice
All adviceLo-An Lin on teaching piano online, and why some beginners should waitLubov Laura De Valois on why legato can wait, and why you need talented parentsMichael Lewin on why the audition panel wants to like youJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkAlex McDonald on avoiding injury, and why playing loud teaches you to play softNicolas Namoradze on why pianists turn their ears offAntonio Pompa-Baldi on why no one should hear the hammersKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicSean Chen on why your ears, not your feet, play the pedalLisa Yui on the future of pianists, and why a melody can’t sing over a ten-piece bandBenjamin Steinhardt on why your fourth finger isn’t really weakSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainRoss Salvosa on why you shouldn’t need endurance at the pianoAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveYoheved Kaplinsky on why excitement isn’t about volumeAlvin Zhu on why you should learn a new piece before you play a noteLeann Osterkamp on why practicing hands separately turns one piece into threeIgor Lipinski on creative recitals, and why you never play the same chord the same wayLindsay Garritson on competitions, and why one piece can count against youAndrew Tyson on the old-school pianists, and why the score is only a starting pointJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstJarred Dunn on fast octaves, and why the piano can open your hand for youSondra Tammam on the Taubman approach and why you can’t fight nature
