Competition News
Mizuki Ono wins the 2026 International Piano Competition of Orléans
The Japanese pianist took first prize at the 17th edition of the French competition, ahead of Carter Muller and Shan-Chi Hsu.
News
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
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Stories of Pianists
All storiesWorking Chinese Girl Picks Up Piano After Seven YearsDealing with Pain: A Psychologist’s Piano JourneyJuilliard Pianist Always Gets Asked This One QuestionPianist from Georgia says starting piano at an older age has its advantagesPlaying Again After 12 YearsStuttering Girl Finds Strength in MusicHarper, 5 Years Old, Sings and Plays PianoCollege Freshman Finds Redemption at Piano Competition6 Year-Old Sings and Plays “Let it Go” from Frozen
Expert Advice
All adviceAlvin Zhu on why you should learn a new piece before you play a noteNicolas Namoradze on why pianists turn their ears offAndrew Tyson on the old-school pianists, and why the score is only a starting pointSean Chen on why your ears, not your feet, play the pedalAntonio Pompa-Baldi on why no one should hear the hammersJarred Dunn on fast octaves, and why the piano can open your hand for youEric Lu on playing the pieces everyone playsLeann Osterkamp on why practicing hands separately turns one piece into threeJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstYoheved Kaplinsky on why excitement isn’t about volumeLo-An Lin on teaching piano online, and why some beginners should waitMichael Lewin on why the audition panel wants to like youSoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenRobert McDonald on playing on the front side of the beatBenjamin Steinhardt on why your fourth finger isn’t really weakMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainAlan Chow on why rubato isn’t the only way to be expressiveIgor Lipinski on creative recitals, and why you never play the same chord the same wayAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicSondra Tammam on the Taubman approach and why you can’t fight natureRachel Naomi Kudo on why your scales should singSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melody
