News
Aspen Music Festival and School to give full fellowships to all solo piano students
An $11 million gift from the Paulson Family Foundation will cover tuition, room and board for every Aspen solo piano student from summer 2027.
News
- Competition NewsPei-Heng Jiang, 16, wins the Rina Sala Gallo Monza International Piano Competition
- Competition NewsAdam Adov wins 2026 Australian National Piano Award
- NewsAndsnes and Chamayou win 2026 Gramophone Piano Award; Imogen Cooper receives Lifetime Achievement Award
- NewsMitsuko Uchida wins the 2027 Léonie Sonning Music Prize
- Competition NewsMikhail Kambarov wins La Palma d’Oro International Piano Competition
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Stories of Pianists
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Expert Advice
All adviceNicolas Namoradze on why pianists turn their ears offAlan Chow on why rubato isn’t the only way to be expressiveAntonio Pompa-Baldi on why no one should hear the hammersYi-heng Yang on playing a prelude like an improvisationYong Hi Moon: melodies are multiplication, not additionSoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenMichael Lewin on why the audition panel wants to like youMichael Lewin on why Liszt invented impressionismRachel Naomi Kudo on why your scales should singSean Chen on why your ears, not your feet, play the pedalSondra Tammam on the Taubman approach and why you can’t fight natureEric Lu on playing the pieces everyone playsRan Dank on why water has no anglesGerardo Teissonnière on finishing every phrase to the last noteAlvin Zhu on why you should learn a new piece before you play a noteEnrico Elisi on why your fingers shouldn’t outrun your footRobert McDonald on playing on the front side of the beatJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkMichelle Cann on telling a story in every sectionSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyInesa Sinkevych on singing while you practiceAlan Woo on why silence can be the most dramatic momentYoheved Kaplinsky on why excitement isn’t about volumeJiayan Sun on why Beethoven shouldn’t sound like a metronome
