Competition News
Pianist Taige Wang, 16, among winners of the 2026 Young Concert Artists auditions
The 16-year-old American pianist joins the Young Concert Artists roster, and Chinese pianist Jack Gao receives a Laureate Prize.
Competition deadlines
- Aarhus International Piano CompetitionAarhus, Denmark
- Eisemann International Young Artist Competition (Piano)Richardson, TX, USA
- Cliburn International Competition for Young PianistsDallas, TX, USA
- Maria Canals International Music Competition (Piano)Barcelona, Spain
News
- Competition NewsJeonghwan Kim wins the 2026 Isang Yun International Music Competition
- NewsJean-Yves Thibaudet wins the 2026 Avery Fisher Prize
- Competition NewsMizuki Ono wins the 2026 International Piano Competition of Orléans
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
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Stories of Pianists
All storiesHarper, 5 Years Old, Sings and Plays PianoDealing with Pain: A Psychologist’s Piano JourneyPianist from Georgia says starting piano at an older age has its advantagesStuttering Girl Finds Strength in MusicCollege Freshman Finds Redemption at Piano Competition6 Year-Old Sings and Plays “Let it Go” from FrozenPlaying Again After 12 YearsJuilliard Pianist Always Gets Asked This One QuestionWorking Chinese Girl Picks Up Piano After Seven Years
Expert Advice
All adviceSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyBenjamin Steinhardt on why your fourth finger isn’t really weakLindsay Garritson on competitions, and why one piece can count against youAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicSean Chen on why your ears, not your feet, play the pedalMichael Lewin on why the audition panel wants to like youAlvin Zhu on why you should learn a new piece before you play a noteLo-An Lin on teaching piano online, and why some beginners should waitChantal Balestri on last-minute performances, and why the first student to say yes gets the concertAndrew Tyson on the old-school pianists, and why the score is only a starting pointAlex McDonald on avoiding injury, and why playing loud teaches you to play softJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstRoss Salvosa on why you shouldn’t need endurance at the pianoIgor Lipinski on creative recitals, and why you never play the same chord the same wayLisa Yui on the future of pianists, and why a melody can’t sing over a ten-piece bandAntonio Pompa-Baldi on why no one should hear the hammersJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkLeann Osterkamp on why practicing hands separately turns one piece into threeMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainSondra Tammam on the Taubman approach and why you can’t fight natureJarred Dunn on fast octaves, and why the piano can open your hand for youNicolas Namoradze on why pianists turn their ears offLubov Laura De Valois on why legato can wait, and why you need talented parents
