Competition News
Adam Adov wins 2026 Australian National Piano Award
The 23-year-old from New South Wales took the $33,000 first prize in Shepparton, ahead of Alyssa Chalmers and Oscar Wong.
News
- NewsAndsnes and Chamayou win 2026 Gramophone Piano Award; Imogen Cooper receives Lifetime Achievement Award
- NewsMitsuko Uchida wins the 2027 Léonie Sonning Music Prize
- Competition NewsMikhail Kambarov wins La Palma d’Oro International Piano Competition
- Competition NewsEdward Leung wins 2026 Albert Roussel International Piano Competition
- NewsAngela Hewitt to lead a new music festival in Umbria
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Stories of Pianists
All storiesCollege Freshman Finds Redemption at Piano CompetitionWorking Chinese Girl Picks Up Piano After Seven YearsPlaying Again After 12 YearsPianist from Georgia says starting piano at an older age has its advantagesHarper, 5 Years Old, Sings and Plays PianoJuilliard Pianist Always Gets Asked This One QuestionDealing with Pain: A Psychologist’s Piano JourneyStuttering Girl Finds Strength in Music6 Year-Old Sings and Plays “Let it Go” from Frozen
Expert Advice
All adviceOlga Kern on why pianists have two brainsEric Lu on playing the pieces everyone playsMichael Lewin on why the audition panel wants to like youAntonio Pompa-Baldi on why no one should hear the hammersRachel Naomi Kudo on why your scales should singSoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenMichael Lewin on why Liszt invented impressionismMichelle Cann on telling a story in every sectionRan Dank on why water has no anglesJiayan Sun on why Beethoven shouldn’t sound like a metronomeGerardo Teissonnière on finishing every phrase to the last noteRobert McDonald on playing on the front side of the beatYoheved Kaplinsky on why excitement isn’t about volumeRobert Blocker on why you shouldn’t race to the finishYi-heng Yang on playing a prelude like an improvisationAlan Woo on why silence can be the most dramatic momentYong Hi Moon: melodies are multiplication, not additionSondra Tammam on the Taubman approach and why you can’t fight natureAlvin Zhu on why you should learn a new piece before you play a noteSean Chen on why your ears, not your feet, play the pedalNicolas Namoradze on why pianists turn their ears offAlan Chow on why rubato isn’t the only way to be expressiveInesa Sinkevych on singing while you practiceEnrico Elisi on why your fingers shouldn’t outrun your foot
