Competition News
Mizuki Ono wins the 2026 International Piano Competition of Orléans
The Japanese pianist took first prize at the 17th edition of the French competition, ahead of Carter Muller and Shan-Chi Hsu.
News
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
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Stories of Pianists
All storiesWorking Chinese Girl Picks Up Piano After Seven YearsDealing with Pain: A Psychologist’s Piano JourneyJuilliard Pianist Always Gets Asked This One QuestionPlaying Again After 12 YearsCollege Freshman Finds Redemption at Piano CompetitionPianist from Georgia says starting piano at an older age has its advantagesHarper, 5 Years Old, Sings and Plays PianoStuttering Girl Finds Strength in Music6 Year-Old Sings and Plays “Let it Go” from Frozen
Expert Advice
All adviceLeann Osterkamp on why practicing hands separately turns one piece into threeJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstEric Lu on playing the pieces everyone playsJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkAntonio Pompa-Baldi on why no one should hear the hammersSoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenMichael Lewin on why the audition panel wants to like youAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveAlan Chow on why rubato isn’t the only way to be expressiveSondra Tammam on the Taubman approach and why you can’t fight natureRachel Naomi Kudo on why your scales should singAndrew Tyson on the old-school pianists, and why the score is only a starting pointNicolas Namoradze on why pianists turn their ears offSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyBenjamin Steinhardt on why your fourth finger isn’t really weakIgor Lipinski on creative recitals, and why you never play the same chord the same wayKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicSean Chen on why your ears, not your feet, play the pedalYoheved Kaplinsky on why excitement isn’t about volumeAlvin Zhu on why you should learn a new piece before you play a noteMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainRobert McDonald on playing on the front side of the beatLo-An Lin on teaching piano online, and why some beginners should waitJarred Dunn on fast octaves, and why the piano can open your hand for you
