Competition News
Jeonghwan Kim wins the 2026 Isang Yun International Music Competition
The German pianist took first prize and the audience-voted special prize at this year's piano edition of the Tongyeong competition.
Competition deadlines
- Aarhus International Piano CompetitionAarhus, Denmark
- Eisemann International Young Artist Competition (Piano)Richardson, TX, USA
- Cliburn International Competition for Young PianistsDallas, TX, USA
- Maria Canals International Music Competition (Piano)Barcelona, Spain
News
- NewsJean-Yves Thibaudet wins the 2026 Avery Fisher Prize
- Competition NewsMizuki Ono wins the 2026 International Piano Competition of Orléans
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
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Expert Advice
All adviceSean Chen on why your ears, not your feet, play the pedalSondra Tammam on the Taubman approach and why you can’t fight natureJarred Dunn on fast octaves, and why the piano can open your hand for youLindsay Garritson on competitions, and why one piece can count against youAlvin Zhu on why you should learn a new piece before you play a noteLisa Yui on the future of pianists, and why a melody can’t sing over a ten-piece bandMichael Lewin on why the audition panel wants to like youMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicLeann Osterkamp on why practicing hands separately turns one piece into threeNicolas Namoradze on why pianists turn their ears offIgor Lipinski on creative recitals, and why you never play the same chord the same wayJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstBenjamin Steinhardt on why your fourth finger isn’t really weakLo-An Lin on teaching piano online, and why some beginners should waitLubov Laura De Valois on why legato can wait, and why you need talented parentsAlex McDonald on avoiding injury, and why playing loud teaches you to play softSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyAntonio Pompa-Baldi on why no one should hear the hammersAndrew Tyson on the old-school pianists, and why the score is only a starting pointRoss Salvosa on why you shouldn’t need endurance at the pianoYoheved Kaplinsky on why excitement isn’t about volumeAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehave
