Competition News
Mizuki Ono wins the 2026 International Piano Competition of Orléans
The Japanese pianist took first prize at the 17th edition of the French competition, ahead of Carter Muller and Shan-Chi Hsu.
News
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
Advertise here
Piano League PlayNew
Today's Sight-Read Sprint
Piano games and quizzes for every age.
Play now
Piano League StudioRun your studio in one placeLessons, invoices and payments. Free for up to 5 students.October invoicesSentLesson remindersOnTry StudioFindFind a piano teacher near youTeachers, studios, tuners and movers.Search by city or zip
Stories of Pianists
All storiesPianist from Georgia says starting piano at an older age has its advantagesDealing with Pain: A Psychologist’s Piano JourneyJuilliard Pianist Always Gets Asked This One Question6 Year-Old Sings and Plays “Let it Go” from FrozenHarper, 5 Years Old, Sings and Plays PianoPlaying Again After 12 YearsCollege Freshman Finds Redemption at Piano CompetitionWorking Chinese Girl Picks Up Piano After Seven YearsStuttering Girl Finds Strength in Music
Expert Advice
All adviceAlvin Zhu on why you should learn a new piece before you play a noteMichael Lewin on why the audition panel wants to like youNicolas Namoradze on why pianists turn their ears offAntonio Pompa-Baldi on why no one should hear the hammersSondra Tammam on the Taubman approach and why you can’t fight natureEnrico Elisi on why your fingers shouldn’t outrun your footAndrew Tyson on the old-school pianists, and why the score is only a starting pointLeann Osterkamp on why practicing hands separately turns one piece into threeBenjamin Steinhardt on why your fourth finger isn’t really weakMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainAlan Chow on why rubato isn’t the only way to be expressiveSean Chen on why your ears, not your feet, play the pedalJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkLo-An Lin on teaching piano online, and why some beginners should waitRachel Naomi Kudo on why your scales should singSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstRobert McDonald on playing on the front side of the beatYoheved Kaplinsky on why excitement isn’t about volumeEric Lu on playing the pieces everyone playsAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveIgor Lipinski on creative recitals, and why you never play the same chord the same wayKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicSoyeon Kate Lee on playing an unfamiliar piece like it’s Beethoven
