Competition News
Pianist Taige Wang, 16, among winners of the 2026 Young Concert Artists auditions
The 16-year-old American pianist joins the Young Concert Artists roster, and Chinese pianist Jack Gao receives a Laureate Prize.
Competition deadlines
- Aarhus International Piano CompetitionAarhus, Denmark
- Eisemann International Young Artist Competition (Piano)Richardson, TX, USA
- Cliburn International Competition for Young PianistsDallas, TX, USA
- Maria Canals International Music Competition (Piano)Barcelona, Spain
News
- Competition NewsJeonghwan Kim wins the 2026 Isang Yun International Music Competition
- NewsJean-Yves Thibaudet wins the 2026 Avery Fisher Prize
- Competition NewsMizuki Ono wins the 2026 International Piano Competition of Orléans
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
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Expert Advice
All adviceIgor Lipinski on creative recitals, and why you never play the same chord the same wayAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveLubov Laura De Valois on why legato can wait, and why you need talented parentsKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicLisa Yui on the future of pianists, and why a melody can’t sing over a ten-piece bandNicolas Namoradze on why pianists turn their ears offAndrew Tyson on the old-school pianists, and why the score is only a starting pointAntonio Pompa-Baldi on why no one should hear the hammersAlex McDonald on avoiding injury, and why playing loud teaches you to play softJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkLindsay Garritson on competitions, and why one piece can count against youJarred Dunn on fast octaves, and why the piano can open your hand for youChantal Balestri on last-minute performances, and why the first student to say yes gets the concertMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainBenjamin Steinhardt on why your fourth finger isn’t really weakFei-Fei Dong on memorizing music as if every score were goneSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyRoss Salvosa on why you shouldn’t need endurance at the pianoJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstLo-An Lin on teaching piano online, and why some beginners should waitAlvin Zhu on why you should learn a new piece before you play a noteLeann Osterkamp on why practicing hands separately turns one piece into threeSondra Tammam on the Taubman approach and why you can’t fight natureScott McBride Smith on why students quit piano while they still like it