News
This Week in Piano: October 17 to 23, 2026
First prizes in Tbilisi and Vercelli, bigger prizes in Sydney, and a farewell to Şahan Arzruni.
News
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
- Competition NewsTaige Wang wins the 2026 Tbilisi International Piano Competition
- NewsThis Week in Piano: October 10 to 16, 2026
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Stories of Pianists
All storiesWorking Chinese Girl Picks Up Piano After Seven YearsCollege Freshman Finds Redemption at Piano CompetitionPlaying Again After 12 YearsPianist from Georgia says starting piano at an older age has its advantagesDealing with Pain: A Psychologist’s Piano Journey6 Year-Old Sings and Plays “Let it Go” from FrozenJuilliard Pianist Always Gets Asked This One QuestionHarper, 5 Years Old, Sings and Plays PianoStuttering Girl Finds Strength in Music
Expert Advice
All adviceKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyEric Lu on playing the pieces everyone playsSoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenAlan Chow on why rubato isn’t the only way to be expressiveNicolas Namoradze on why pianists turn their ears offAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstLeann Osterkamp on why practicing hands separately turns one piece into threeRobert McDonald on playing on the front side of the beatYoheved Kaplinsky on why excitement isn’t about volumeBenjamin Steinhardt on why your fourth finger isn’t really weakSean Chen on why your ears, not your feet, play the pedalAlvin Zhu on why you should learn a new piece before you play a noteRachel Naomi Kudo on why your scales should singIgor Lipinski on creative recitals, and why you never play the same chord the same wayLo-An Lin on teaching piano online, and why some beginners should waitEnrico Elisi on why your fingers shouldn’t outrun your footMichael Lewin on why the audition panel wants to like youAndrew Tyson on the old-school pianists, and why the score is only a starting pointAntonio Pompa-Baldi on why no one should hear the hammersJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkSondra Tammam on the Taubman approach and why you can’t fight nature