Competition News
Mizuki Ono wins the 2026 International Piano Competition of Orléans
The Japanese pianist took first prize at the 17th edition of the French competition, ahead of Carter Muller and Shan-Chi Hsu.
News
- NewsStephen Kovacevich, American pianist, dies at 86
- NewsThis Week in Piano: October 17 to 23, 2026
- NewsŞahan Arzruni, pianist and champion of Armenian music, dies at 83
- Competition NewsSydney International Piano Competition doubles first prize to $100,000 for 2027
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
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Stories of Pianists
All storiesJuilliard Pianist Always Gets Asked This One QuestionPianist from Georgia says starting piano at an older age has its advantagesWorking Chinese Girl Picks Up Piano After Seven YearsDealing with Pain: A Psychologist’s Piano JourneyCollege Freshman Finds Redemption at Piano CompetitionPlaying Again After 12 Years6 Year-Old Sings and Plays “Let it Go” from FrozenHarper, 5 Years Old, Sings and Plays PianoStuttering Girl Finds Strength in Music
Expert Advice
All adviceLo-An Lin on teaching piano online, and why some beginners should waitMichael Lewin on why the audition panel wants to like youYoheved Kaplinsky on why excitement isn’t about volumeKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicBenjamin Steinhardt on why your fourth finger isn’t really weakAbdiel Vázquez on why the piano is a jealous instrument, and why Baroque music lets you misbehaveJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkSondra Tammam on the Taubman approach and why you can’t fight natureAlvin Zhu on why you should learn a new piece before you play a noteJocelyn Lai on finding time to practice, and why even professionals sound dreadful at firstEric Lu on playing the pieces everyone playsRachel Naomi Kudo on why your scales should singAlan Chow on why rubato isn’t the only way to be expressiveLeann Osterkamp on why practicing hands separately turns one piece into threeMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainAntonio Pompa-Baldi on why no one should hear the hammersRobert McDonald on playing on the front side of the beatRoss Salvosa on why you shouldn’t need endurance at the pianoSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyIgor Lipinski on creative recitals, and why you never play the same chord the same wayAndrew Tyson on the old-school pianists, and why the score is only a starting pointJarred Dunn on fast octaves, and why the piano can open your hand for youSean Chen on why your ears, not your feet, play the pedalNicolas Namoradze on why pianists turn their ears off
