Competition News
Taige Wang wins the 2026 Tbilisi International Piano Competition
The American pianist took first prize and four special awards in Georgia, with Jiarui Cheng of China second and Donghwi Kang of South Korea third.
News
- NewsThis Week in Piano: October 10 to 16, 2026
- NewsAspen Music Festival and School to give full fellowships to all solo piano students
- Competition NewsPei-Heng Jiang, 16, wins the Rina Sala Gallo Monza International Piano Competition
- Competition NewsAdam Adov wins 2026 Australian National Piano Award
- NewsAndsnes and Chamayou win 2026 Gramophone Piano Award; Imogen Cooper receives Lifetime Achievement Award
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Stories of Pianists
All storiesCollege Freshman Finds Redemption at Piano CompetitionStuttering Girl Finds Strength in MusicPianist from Georgia says starting piano at an older age has its advantagesJuilliard Pianist Always Gets Asked This One QuestionHarper, 5 Years Old, Sings and Plays PianoDealing with Pain: A Psychologist’s Piano JourneyPlaying Again After 12 YearsWorking Chinese Girl Picks Up Piano After Seven Years6 Year-Old Sings and Plays “Let it Go” from Frozen
Expert Advice
All adviceMichael Lewin on why Liszt invented impressionismAntonio Pompa-Baldi on why no one should hear the hammersRobert McDonald on playing on the front side of the beatEnrico Elisi on why your fingers shouldn’t outrun your footSoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenRan Dank on why water has no anglesSean Chen on why your ears, not your feet, play the pedalInesa Sinkevych on singing while you practiceJiayan Sun on why Beethoven shouldn’t sound like a metronomeAlvin Zhu on why you should learn a new piece before you play a noteEric Lu on playing the pieces everyone playsMichael Lewin on why the audition panel wants to like youSondra Tammam on the Taubman approach and why you can’t fight natureRachel Naomi Kudo on why your scales should singYi-heng Yang on playing a prelude like an improvisationJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyYoheved Kaplinsky on why excitement isn’t about volumeGerardo Teissonnière on finishing every phrase to the last noteAlan Chow on why rubato isn’t the only way to be expressiveAlan Woo on why silence can be the most dramatic momentYong Hi Moon: melodies are multiplication, not additionNicolas Namoradze on why pianists turn their ears off
