Competition News
Sydney International Piano Competition doubles first prize to $100,000 for 2027
The competition has raised every prize for its 50th anniversary edition in July 2027, and applications are open until 15 December.
News
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
- Competition NewsTaige Wang wins the 2026 Tbilisi International Piano Competition
- NewsThis Week in Piano: October 10 to 16, 2026
- NewsAspen Music Festival and School to give full fellowships to all solo piano students
- Competition NewsPei-Heng Jiang, 16, wins the Rina Sala Gallo Monza International Piano Competition
Advertise here
Piano League PlayNew
Today's Sight-Read Sprint
Piano games and quizzes for every age.
Play now
Piano League StudioRun your studio in one placeLessons, invoices and payments. Free for up to 5 students.October invoicesSentLesson remindersOnTry StudioFindFind a piano teacher near youTeachers, studios, tuners and movers.Search by city or zip
Stories of Pianists
All stories6 Year-Old Sings and Plays “Let it Go” from FrozenStuttering Girl Finds Strength in MusicWorking Chinese Girl Picks Up Piano After Seven YearsDealing with Pain: A Psychologist’s Piano JourneyCollege Freshman Finds Redemption at Piano CompetitionPlaying Again After 12 YearsPianist from Georgia says starting piano at an older age has its advantagesJuilliard Pianist Always Gets Asked This One QuestionHarper, 5 Years Old, Sings and Plays Piano
Expert Advice
All adviceYi-heng Yang on playing a prelude like an improvisationGerardo Teissonnière on finishing every phrase to the last noteNicolas Namoradze on why pianists turn their ears offRobert McDonald on playing on the front side of the beatRachel Naomi Kudo on why your scales should singMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainAlvin Zhu on why you should learn a new piece before you play a noteSondra Tammam on the Taubman approach and why you can’t fight natureMichael Lewin on why Liszt invented impressionismEnrico Elisi on why your fingers shouldn’t outrun your footYoheved Kaplinsky on why excitement isn’t about volumeMichael Lewin on why the audition panel wants to like youJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkJiayan Sun on why Beethoven shouldn’t sound like a metronomeSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodySoyeon Kate Lee on playing an unfamiliar piece like it’s BeethovenKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicAlan Chow on why rubato isn’t the only way to be expressiveEric Lu on playing the pieces everyone playsRan Dank on why water has no anglesSean Chen on why your ears, not your feet, play the pedalLo-An Lin on teaching piano online, and why some beginners should waitYong Hi Moon: melodies are multiplication, not additionAntonio Pompa-Baldi on why no one should hear the hammers
