Competition News
Sydney International Piano Competition doubles first prize to $100,000 for 2027
The competition has raised every prize for its 50th anniversary edition in July 2027, and applications are open until 15 December.
News
- Competition NewsCurtis Phill Hsu wins the 2026 Viotti International Piano Competition
- Competition NewsTaige Wang wins the 2026 Tbilisi International Piano Competition
- NewsThis Week in Piano: October 10 to 16, 2026
- NewsAspen Music Festival and School to give full fellowships to all solo piano students
- Competition NewsPei-Heng Jiang, 16, wins the Rina Sala Gallo Monza International Piano Competition
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Stories of Pianists
All storiesDealing with Pain: A Psychologist’s Piano JourneyJuilliard Pianist Always Gets Asked This One QuestionStuttering Girl Finds Strength in MusicPlaying Again After 12 YearsPianist from Georgia says starting piano at an older age has its advantages6 Year-Old Sings and Plays “Let it Go” from FrozenHarper, 5 Years Old, Sings and Plays PianoCollege Freshman Finds Redemption at Piano CompetitionWorking Chinese Girl Picks Up Piano After Seven Years
Expert Advice
All adviceYi-heng Yang on playing a prelude like an improvisationRobert McDonald on playing on the front side of the beatAlvin Zhu on why you should learn a new piece before you play a noteAntonio Pompa-Baldi on why no one should hear the hammersLo-An Lin on teaching piano online, and why some beginners should waitBenjamin Steinhardt on why your fourth finger isn’t really weakSvetlana Belsky on Bach’s Little Preludes, and why you should stop looking for the melodyJiayan Sun on why Beethoven shouldn’t sound like a metronomeMichael Lewin on why the audition panel wants to like youAlan Chow on why rubato isn’t the only way to be expressiveMagdalena Stern-Baczewska on why Bach’s inventions are floss for your brainEric Lu on playing the pieces everyone playsMichael Lewin on why Liszt invented impressionismRan Dank on why water has no anglesKonstantin Soukhovetski on narrative musicianship, and why rests are your gift to musicSean Chen on why your ears, not your feet, play the pedalRachel Naomi Kudo on why your scales should singEnrico Elisi on why your fingers shouldn’t outrun your footJiayan Sun on score reading, and why a quarter note isn’t as long as you thinkYoheved Kaplinsky on why excitement isn’t about volumeNicolas Namoradze on why pianists turn their ears offYong Hi Moon: melodies are multiplication, not additionSondra Tammam on the Taubman approach and why you can’t fight natureSoyeon Kate Lee on playing an unfamiliar piece like it’s Beethoven
