Expert Advice

Lisa Yui on the future of pianists, and why a melody can’t sing over a ten-piece band

The Yamaha Artist on key speed, clear melodies, clean pedaling and why pianists need to stay curious and flexible.

3 min read
Quote from Lisa Yui

Lisa Yui is a Yamaha Artist and a top prizewinner of the Senigallia International Piano Competition in Italy. She is on the faculty of Manhattan School of Music, where she teaches graduate piano literature.

Here are fourteen of her best tips, from her Piano Star Masterclass on the future of pianists on Piano League.

1. The speed of the key sets the volume

Remember, when you play softer or louder: the slower you go down the note, the softer it will be. The faster you go down, the louder it’s going to be.

Lisa Yui

Watch this moment (1:07:36)

2. Don’t let the band drown out the singer

It’s like one small child is singing, and then there’s this whole band of ten people playing an accompaniment, and it’s hard for the singer to sing. And so you have to make the melody clear.

Lisa Yui

Watch this moment (1:16:17)

3. Be gentle with your thumb

This is such a fat finger, you have to be careful not to go bang bang. You have to be very, very delicate with the thumb so that it doesn’t go louder than this poor little pinky.

Lisa Yui

Watch this moment (1:18:07)

4. Muddy pedal is like unclear speech

Muddy pedal is kind of like someone’s talking, kind of annoying, when people don’t talk clearly. So you have to clear your pedals so that every word, or every note, is clear.

Lisa Yui

Watch this moment (1:22:35)

5. Never play the same note the same way

In music in general, if you play the same note, they have to all be different in some ways. … Is that kind of boring for me to speak everything in the same tone? You need to kind of go up and down, and louder and softer and so forth, to be interesting, and especially if it’s the same note.

Lisa Yui

Watch this moment (1:05:37)

6. Think of music as talking

I want you to think that it’s not getting just louder, but you’re going towards it. It’s like a ball is falling down a hill towards that last G. So it’s like I’m saying: this is what I want to say. So the more you think of music as talking, it will seem more natural.

Lisa Yui

Watch this moment (1:06:28)

7. Slow down so a conductor could still follow

I should be able to hear you play this and still be able to conduct. You can slow down, but I have to still be able to conduct.

Lisa Yui

Watch this moment (1:27:03)

8. A crescendo starts soft

Remember, if you want to do a crescendo, you have to start soft.

Lisa Yui

Watch this moment (51:00)

9. Don’t forget it’s a craft

What I’m afraid about is that we forget that this is a craft. We’re not just doing interesting things, like cool things, but we’re talking about how do we make this beautiful phrase, how do we make this complete unity out of this piece.

Lisa Yui

Watch this moment (21:27)

10. Speak your audience’s language

If you and I, who love this incredible world of classical music, and we’ve been deeply moved by it, our lives have changed, it is comfort to us, it is our passion, if we want to share that, we have to find a way to speak in the language that the audience speaks in.

Lisa Yui

Watch this moment (13:27)

11. What working musicians have in common

All of my colleagues who have kind of somehow hung on until our age, they have very, very different individual stories, except there’s one connecting aspect between all of us, which is we all love music madly.

Lisa Yui

Watch this moment (30:47)

12. Flexibility matters most

I think the most important thing is flexibility, adaptability, of being able to adapt to the world, to what happens in your life. And if you have this just simple, pure love for playing, somehow people find a way.

Lisa Yui

Watch this moment (32:11)

13. Don’t just stay in the practice room

This is what I tell students: you can’t just stay in the practice room and practice Beethoven sonatas. And we’re talking about repertoire as well as real skills. You have to be not just clever but curious about being able to do everything.

Lisa Yui

Watch this moment (18:36)

14. Take a breath between pieces

Make sure before you play a new piece that you take a breath and you calm yourself and you get into the piece, because they’re very, very different.

Lisa Yui

Watch this moment (58:28)

Quotes are lightly edited for length and clarity. They come from Lisa Yui’s 2020 Piano Star Masterclass on the future of pianists. You can watch the full masterclass on the Piano League YouTube channel.

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