Michelle Cann on telling a story in every section
The Curtis piano chair on imagery, contrast, pedal and deciding what the listener should hear.
Michelle Cann holds the Eleanor Sokoloff Chair in Piano Studies at the Curtis Institute of Music. She is a leading interpreter of Florence Price’s piano music and gave the New York City premiere of Price’s Piano Concerto in One Movement.
Here are six of her best tips, taken from feedback she gave young pianists after live performances, with a link to each moment on video.
1. Tell a different story in each section
Have a story to tell. Know that this is a story, and tell us something unique for each of those moments.
Michelle Cann
2. Picture the image behind the music
It should be an image of a boat on the water, and it’s rocking with the figure in the left hand. Rethink that image and let the piece rock with the melody.
Michelle Cann
3. Change the pedal with the harmony
Be careful to change the pedal cleanly as the harmonies change.
Michelle Cann
4. Look at the section as a whole
There are a lot of ways this movement can become repetitive, so it needs constant direction. We have to be looking at sections as a whole.
Michelle Cann
5. Find as much contrast as possible
It’s really important to find as much contrast as possible. Use the full dynamic range.
Michelle Cann
6. Choose what the listener should hear
The music is so busy that it can be hard to follow. Remember to balance what it is you want us to hear.
Michelle Cann
Quotes are lightly edited for length and clarity. They come from Ms. Cann’s comments as a judge at the 2022 Piano Star International Competition. You can watch the full performances and feedback on the Piano League YouTube channel.
Quick question
Do you imagine a story when you play?
Have a story tip or a correction? Tell us.